The work of Portishead co-founder Geoff Barrow, this sharp-edged if slight first film casts a critical gaze on 90s rave culture. Venal drug user David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Duel
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The bigger point – that the ecstasy generation were mainly focused on number one – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, fuming after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Poacher denying his container of cider, determined to soaking him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single key story turn, but it leads to a comically executed rampage on the woodland paths that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the opening part, he now goes all out with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
The film releases in UK and Irish cinemas from November 17.
